Publicado em 18/05/2012 por Javer2949
Bach Magnificat & Leipziger Weinachtskantaten :
1. Gelobet seist du, Jesu Christ, BWV 91 by Johann Sebastian Bach
Performer: Dorothee Mields (Soprano), Ingeborg Danz (Alto), Mark Padmore (Tenor),
Peter Kooy (Bass)
Conductor: Philippe Herreweghe
Orchestra/Ensemble: Ghent Collegium Vocale
Period: Baroque
Written: 1724; Leipzig, Germany
2. Christum wir sollen loben schon, BWV 121 by Johann Sebastian Bach
Performer: Peter Kooy (Bass), Dorothee Mields (Soprano), Ingeborg Danz (Alto),
Mark Padmore (Tenor)
Conductor: Philippe Herreweghe
Orchestra/Ensemble: Ghent Collegium Vocale
Period: Baroque
Written: 1724; Leipzig, Germany
3. Ich freue mich in dir, BWV 133 by Johann Sebastian Bach
Performer: Peter Kooy (Bass), Ingeborg Danz (Alto), Dorothee Mields (Soprano),
Mark Padmore (Tenor)
Conductor: Philippe Herreweghe
Orchestra/Ensemble: Ghent Collegium Vocale
Period: Baroque
Written: 1724; Leipzig, Germany
4. Christen, ätzet diesen Tag, BWV 63 by Johann Sebastian Bach
Performer: Mark Padmore (Tenor), Carolyn Sampson (Soprano), Sebastian Noack (Bass),
Ingeborg Danz (Alto)
Conductor: Philippe Herreweghe
Orchestra/Ensemble: Ghent Collegium Vocale
Period: Baroque
Written: 1713-1715; Cöthen, Germany Date of Recording: 12/2002
Venue: The Arsenal, Metz, France
Length: 27 Minutes 16 Secs.
Language: German
5. Magnificat in E flat major, BWV 243a by Johann Sebastian Bach
Performer: Carolyn Sampson (Soprano), Sebastian Noack (Bass), Mark Padmore (Tenor),
Ingeborg Danz (Alto)
Conductor: Philippe Herreweghe
Orchestra/Ensemble: Ghent Collegium Vocale
Period: Baroque
Written: 1723; Leipzig, Germany
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